Sean Davis

Sean Davis
  • Adjunct Professor
  • Department: Music Theory, History, & Composition
  • Institution: West Chester University of Pennsylvania
  • Email: SDavis2@wcupa.edu

Education

  • Ph.D., Temple University, Philadelphia, Pennsylvania: Music Theory
  • M.M., Temple University, Philadelphia, Pennsylvania: Music Theory
  • B.M., Temple University, Philadelphia, Pennsylvania: Composition

Research Interests

hermeneuticsocial analysespopular musicmusic in multimediavideo game musicprogressive music theory pedagogy

Opportunities

Work Study Positions Available: No

Grant Funded Positions Available: No

Course-Credit Research Opportunities Available: No

Volunteer Research Positions Available: No

Biography

Dr. Sean M. Davis received his Ph.D. in Music Theory from Temple University's Esther Boyer College of Music and Dance where he primarily studied with Michael Klein and Noriko Manabe. Dr. Sean's research interests include hermeneutic and social analyses of popular music, music in multimedia, video game music, and progressive music theory pedagogy. He has presented his research at regional and national conferences including the International Association for the Study of Popular Music (IASPM), the Music Theory Society of the Mid-Atlantic (MTSMA), and the Ann Arbor Symposium for Popular Music IV. In addition to his research and pedagogical interests, Dr. Sean also maintains music theory focused social media accounts on YouTube and TikTok.

List of Publications

  • Topic Theory and Popular Music: Nostalgia and Sentimentality, Music Studies Colloquium (Temple University) – 2014 Topic Theory and Popular Music: Nostalgia and Sentimentality, Ann Arbor Symposium IV – 2015 Making Sense of Non-Coherent Narratives: Hypermetrical Grouping and Anacrusis in "15 Step" by Radiohead, Ann Arbor Symposium IV – 2015 Topic Theory and Popular Music: Nostalgia and Sentimentality, MTSMA 14th Annual Meeting – 2016 Identity and Rock Music: The Permanent Interruption as a Denial of Interpellation, Mannes Graduate Student Conference – 2017 When Identity Fails: Self-Discipline and Form in Radiohead, Music Studies Colloquium (Temple University) – 2017 When Identity Fails: Self-Discipline and Form in Radiohead, CUNY – Graduate Students in Music Conference – 2017 Deconstructing the Masculine: Constructions of Masculine Fragility in Three Songs from Radiohead's A Moon Shaped Pool, MTSMA 16th Annual Meeting – 2018 Deconstructing the Masculine: Radiohead's Embrace of Fragile Subjectivity, West Chester University Composition Seminar – 2018 The Real Deal: "Tinker Tailor Soldier Sailor Rich Man Poor Man Beggar Man Thief" as Symptom, West Chester University Composition Seminar – 2019 A Moon Shaped Pool: Subversion and Trauma in Radiohead, AMSMA Fall Meeting – 2019 Topic Theory and Game Music: Water Topics in Super Mario Bros., West Chester University Composition Seminar – 2020 Assuming the Role: Texture, Groove, and Narrative Temporality in Chiptunes, IASPM-US Annual Conference – 2022